| My experience at
Cannes was awesome!! You know, it wasn’t my first time in Cannes. I went
there two years ago because I was working as an assistant for a Serbian
producer. In 2002, I was sleeping at the Carlton, walking on the red carpet,
going to many dinners, and had to wear expensive cocktail dresses most of
the time. Trust me or not, it was kinda boring, I didn’t fit in the frame.
This year, I slept on the floor, had to fight to get into the bathroom, and
ate junk food everyday. It was far from the “glitterati Cannes” that people
would expect when we’re talking bout the festival. Anyway, it was so much
better than two years ago. But if I had to describe this piece of my small
existence with a word, I’d say, it was “TROMANTIC.” I’ve had my first
experience with fake blood, I love it, tastes like candy, think it’s giving
me ideas for new erotic games.
One day, when I was with the Troma crew on the Croisette, in front of the
Carlton, there were many televisions and suddenly, I saw a camera guy and a
journalist with t-shirts with Hebrew stuff printed on it. I smiled at the
guy with the microphone, then he walked to me, and he asked me what Troma
was about (in English), then I replied in Hebrew. He was like "Woaw, you're
Jewish too?! Amazing!" He said he didn't want me to show my breasts etc
because I was Jewish. I said I wouldn't do that anyway and I didn't want my
family to see that in Israel anyway. He also asked me why I was in Cannes I
replied "I want to do Edouard Baer". Then I gave him my business card, and
he called me a few hours later, then we had a drink, but he wasn't my kind
of guy. Then he called me everyday, many times a day, but I never picked up
the phone.

Uzi with a Ch3 Israeli TV journalist
Like a modern Cindrella who would
have the dress but not the godmother, we tried to sneak in parties. We had
our few minutes of fame and I think we’re in family albums from all over the
world. I’ve met so many people; amazing ones (the other Troma people, for
example and Lloyd’s a real gentleman), disappointing ones (like when you
realize that the actor you’re thinking of when you’re touching yourself is
just a midget wearing an horrible blue velvet suit), and of course
attracting ones (like the wonderful Swedish producer I’ve kissed on the
Croisette at 4 in the morning). I’ll definitely be there next year, even in
Tromadance. I’ll be there to support my love for Troma.
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Uzi with famous Swedish producer, Magnus
Paulsson at a party at the Carlton

"Quentin", Uzi, and Martijn (aka Killer
Coq)
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